Jorge Romero––educator, writer, and researcher––is a lover of crowds, the poetry of history, and the relationships between time and space. On October 27, Jorge joined us at the Micropolitics of Creation, Archives, and the Cities of the Future seminar, imparted by Camila Pulgar Machado and Backroom Caracas at the School of Literature of the | … |

I look at the photos from a distance and suddenly, with the lightness of an unexpected flash, a suspicion, a doubt appears to me. What sort of decadent event would be hidden behind the fashion show? I ask myself. And what remote connection would bring it closer to the crisis in my country?

Memory may itself be a literary genre. After all, she is the mother of the muses, begotten by the great stallion. Her board of instructions may consist of damaging or resurrecting whomever the memory is happening to, thus transforming the exercise into a subtle, trained clairvoyance.

Performance is the way to a change of consciousness, Not only for the performer but for the viewer. Marina Abramovic   Performance is, in the words of theorist Patrice Pavis, «a kaleidoscopic multi-thematic discourse»; a language that connects, without preconceived notions, the visual arts, dance, architecture, music, video, narration, theater, cinema, and poetry to create | … |