Hernán Paganini (Zárate, Argentina, 1982) is a collage and installation artist. He began his studies in Graphic Design at the Universidad de Buenos Aires, where he taught a Morphology class from 2003 to 2010. He was selected for the Artists’ Program at Universidad Torcuato Di Tella (2010- 2011), conducted by Pablo Siquier, and was awarded the Conti-Fondo Nacional de las Artes grant in 2014. He was also selected for El Ranchito artist residency program at Matadero Madrid AECID. He has participated in solo and group exhibitions, as well as art fairs in Argentina, Toronto, Madrid and São Paulo.
He has developed a career as an art educator, both privately and within institutions. Under the title Proyecto Piel, he has created different children workshop typologies that have been applied in pre-schools, museum schools and other institutions in Latin America and Europe. In 2012 he opened his own studio-school, where he teaches workshops open to the general public.
La amargura de la planta ruda. Paper collage. 2012.Todos los vivos muertos. Serigraph collage. 2016.
El instinto animal que va desde mi boca hasta tu cuello. 2012.
Una escultura en el compost orgánico. Córdoba, Argentina. 2016.
Todos los signos huérfanos. 2017.Una acción en 224 fragmentos. Passepartout collage. 2014.
La sed del mar. Wood and acrylic paint collage. 2014.
#08. Wood, acrylic paint. 2014.ALIMENTACION30, Madrid, España. 2014.Detail of ALIMENTACION30, Madrid, España. 2014.Ser una antigua barca de pesca. Using a fragment of the installation Aquello que aprendí en sala de tres. 2010.RETRATO DEL MUNDO. Piece constructed with objects found by the artists on his walks during the El Ranchito residency. MADRID. 2014.Nido de luz. Installation: twigs, leaves, sticks, seeds, grass, and lightbulb. 2012.NIDO DE LUZ. Installation: twigs, leaves, sticks, seeds, grass, and lightbulb. 2012.Primer acercamiento al maquillaje. Practicing on Nini’s face. 2016.
LOS OBJETOS PERDIDOS. San Miguel de Tucumán. 2012.
Refugio. 2010.
Paper collage and work station. 2016.
Exhibition view of Un faro detrás del mar. Espacio Quimera del arte. Buenos Aires, 2016.
Se eleva el invisible. Assembly process of a mural at Torre Bellini. Lacquered wood collage. Buenos Aires, Argentina. 2016.
