Ritus: Sabrina Montiel-Soto
Sabrina Montiel-Soto is an artist born in Venezuela and residing in Brussels. Her artistic trajectory has been multidisciplinary, venturing into different fields of creation ranging from the various audiovisual media to photography, sculpture and installation. In her work, she performs acute observations of human beings, their intimate and historical context, their daily life, and the | … |
Virginia Ramírez (Caracas, 1988) studied Graphic Design at the School of Visual Communication and Graphic Design PRODISEÑO in Caracas, where she was also Assistant Professor in the Drawing and Sound Workshops. She holds a Master’s degree in Visual Arts from LUCA School of Arts in Brussels (2014). Among others, she participated in the ROOM ART | … |
Grace Weinrib Dagach (California, USA, 1983) holds a degree in Visual Arts with a major in painting from the Universidad Finis Terrae (UFT) (Santiago, Chile). She has participated in numerous group exhibitions, both in Chile and abroad, in spaces such as the Museo de Artes Visuales (Chile), Museo de Arte Contemporáneo (Chile) and Casa de las | … |
My mother’s garden has gone through several mutations, depending on the enthusiasm, the time of year, and, of course, the death or the appearance of family members. The beginning is like all beginnings. We had a large garden full of grass and some wild plants, those that grow arbitrarily between rocks or in | … |
The World and its Double
#PaisajeUlterior [#UlteriorLandscape]: A landscape after the landscape, after the landscape, after the landscape. This text is not a text, because nothing that is linear interests me anymore. This text is not a text because every explanatory practice is distrusted. «A photograph is an image of concepts.»  To see is to know something about the world. | … |
Rigor Mortis; a digital photograph of about 84 by 97 centimeters shows my two arms. One in normal state; the other numb, cold, purple, blue, green, cadaverous, dead. Both resting on white linen, reminiscent of a shroud, perhaps like the Shroud of Turin, that forgery in which many still believe to see the reliable miraculous | … |
José Joaquín Figueroa
José Joaquín Figueroa (Caracas, 1986) is an interdisciplinary artist currently based in Berkeley, California. He began his artistic training in Caracas, where he studied Painting at the Universidad Experimental de las Artes (2007-2010), and continued later at the Skowhegan School for Painting and Sculpture (2009). He earned a Bachelor’s degree in Art from the Cooper Union | … |
Sofia Borges (Ribeirão Preto, Brazil, 1984) is a visual artist with a degree in Visual Arts from the University of São Paulo, currently living between Paris and São Paulo. In 2008 she received a scholarship for research and artistic production granted by the state of Pernambuco, Brazil. She has exhibited her work in solo shows in | … |
Forgetting is so long
By Daisy Patton. There is a rich dysfunctionality in the histories of painting and photography. Painting is dead. Photography is dead. The two undead rivals somehow persevere, and it is that relationship between them I find incredibly influential to my practice.
Doubles-jeux | Sophie Calle
Doubles–jeux por Sophie Calle; 1 edición; publicada por primera vez en el 2002 por Actes Sud.
The Landscape of Oblivion
To think about the identity of the images of Caracas seems an exercise still linked to the exaltation of the bucolic: the idealized landscape, the majestic character of the Ávila mountain, the privileged climate, the flight of birds of paradise, all make up the spinal cord of this representation. But is this really the landscape that the city becomes? Why does the urban face of Caracas drown its contemplation?
Fotografien 2004 – 2005 de Candida Höfer
Un vistazo al fotolibro Candida Höfer Fotografien 2004 – 2005, impreso por la Editorial Schirmer/Mosel Verlagen el 2005.
Agradecimientos a Luis Molina-Pantin.
Fotografien 2004 – 2005 by Candida Höfer
A look at Candida Höfer’s photobook Fotografien 2004 – 2005, printed by Schirmer / Mosel Verlagen Editions in 2005. Special thanks to Luis Molina-Pantin.
The John McDonogh series
This body of work was made during several visits to my home town, New Orleans, in 2007 and 2008. In fact, this work grew out of a series of portraits I began in 2005, with the idea of helping people create a new photographic collection of family photos, which thousands lost in the flood. | … |
Wolfgang Tillmans, Truth Study Center
Un vistazo al libro Wolfgang Tillmans. Truth Study Center, editado y diseñado por Tillmans himself . editorial TASHEN, 2005.
Wolfgang Tillmans, Truth Study Center
A look at the book Wolfgang Tillmans, Truth Study Center, edited and designed by Tillmans himself. TASCHEN, 2005.
Inercia ante la lejanía
Por Hayfer Brea. El paisaje ha rondado en mis ideas y experiencias por casi tres lustros; lo he pensado, sentido y expresado en múltiples imágenes, técnicas y soportes. Categoría que no deja de sorprenderme por su inagotable fuente de creatividad reflexiva y humana, de ver con determinación una idea, un concepto, un punto de vista ante la naturaleza. Esa experiencia sensible de encuadrar, enmarcar, limitar una visión, un instante en el espacio-tiempo, un fenómeno climático o una emoción que traducimos al reflejarnos en la lejanía. Una representación de aquello que nos permea, angustia o regocija; de aquello que nos identifica o arraiga en un lugar, territorio o sitio determinado. Ámbito de mitos, símbolos e historias que nos dan forma, que nos definen y diferencian de otros.
Inertia before the distance
Landscapes have haunted my ideas and experiences for almost three years. I have thought, felt and expressed them with multiple images, techniques and formats. The category of landscape never fails to surprise me: it’s an inexhaustible source of reflective and human creativity, of looking at an idea, a concept, or a point of view | … |
Aesthetic estimation of natural magnitudes
In memory of John Machado. Location: Chacaracual environmental conservation area. El Horcón sector, peninsula of Macanao. Island of Margarita, Venezuela. I recall that morning, last June, for its flawless, cloudless blue sky and its atmospheric overhead light. I left home with my father, who offered to take me from Pampatar to Macanao, where we | … |
Searching for Network
Por Melissa Núñez. El proyecto comenzó cuando vivía en Holanda. En los trenes y en los buses veía personas con la cabeza inclinada y luego observaba el teléfono en sus manos. Apenas comenzaba el uso de los teléfonos inteligentes. Fui viendo esto más y más: en restaurantes, en la calle, en las paradas de bus y estaciones de tren, parejas aburridas sentadas en cafés o grupos de adolescentes en círculo… gente junta pero cada uno mirando su smartphone buscando algo, fuese lo que fuese.
Searching for Network
The project started when I was living in Holland. On trains and buses, I would see people with their heads down and then I noticed the phone in their hands. The use of smartphones was just beginning. I began to see this more and more: in restaurants, on the street, at bus stops and | … |
Gerhard Richter: Overpainted Photographs
Un vistazo al libro: Gerhard Richter. Overpainted Photographs. Publicado por Hatje Cantz. Editado en el 2008 por Markus Heinzelmann, textos de Markus Heinzelmann, Siri Hustvedt, Uwe M. Schneede y Botho Strauß.
Gerhard Richter: Overpainted Photographs
A look at Gerhard Richter: Overpainted Photographs. Published by Hatje Cantz. Edited in 2008 by Markus Heinzelmann, texts by Markus Heinzelmann, Siri Hustvedt, Uwe M. Schneede and Botho Strauß.
Las aventuras de Guille y Belinda y el enigmático significado de sus sueños
Las aventuras de Guille y Belinda y el enigmático significado de sus sueños. Fotografías de Alessandra Sanguinetti. Editorial Idea12na. Impreso en Buenos Aires, 2006.
The Adventures of Guille and Belinda and the Enigmatic Meaning of Their Dreams
The Adventures of Guille and Belinda and the Enigmatic Meaning of Their Dreams (“Las aventuras de Guille y Belinda y el enigmático significado de sus sueños”). Photographs by Alessandra Sanguinetti. Editorial Idea12na. Printed in Buenos Aires, 2006.
10.12.11 Heading to Santiago Mariño airport on Margarita Island, I was talking to José Gregorio, a surfer, preacher and taxi driver, who was driving me. As we passed in front of the San Antonio Penitentiary, he said: “I have a friend who spent five years in that place, for drug trafficking, and being a prisoner | … |
Wilmes and The Sea
I do not remember with accuracy whether Wilmes was waiting for me at the terminal or not. What I remember is that he was a bit drunk. “Do you mind that I’m sarataco (Hungover)?” He said with his red eyes. “I drank water, I promise I’m fine.” We approached an orange Malibu to work on | … |
Jerry Hall & Andy Warhol
By Rose Hartman. As usual, I had entered Studio 54, always a guest of Steve Rubell, the club’s exuberant co-owner. Hundreds of fabulously-attired guests of every persuasion had gathered behind the curtain that separated invited, notable guests drinking endless champagne from the hundreds of frenzied revelers who waited patiently (or screamed non-stop to no avail) .to enter Studio. Wearing my usual garb-black jacket, black trousers, comfortable shoes, I made my way toward those glittering creatures -Diane von Furstenberg, Elsa Peretti, Halston, Bianca, Baryshnikov, Truman Capote, Marisa Berenson -that made each night the most exciting place in the universe. Like a fly on the wall, I carried my Olympus 35mm camera with lots of black-and-white film, And waited patiently until I observed an intimate moment that I had to capture. Under the glittering disco ball, An animated Andy Warhol (who never was photographed speaking) was actually engaged in conversation with the gorgeous texan model. I probably took only one or two frames, before the moment evaporated, and guests intervened to chat with the striking duo-in 1977.
The Polaroid Book
Un vistazo al libro The Polaroid Book. Editado por Steve Crist. Editorial Taschen.
On the evening of Friday, November the 8th, 2013, Venezuelan President Nicolás Maduro announced economic measures that would “benefit” the Venezuelan people. Among these measures was an order to place price controls on all the products in the Daka appliance chain stores. People from different cities in the country decided to head to their closest | … |
Por Miguel Gutierrez. La noche del viernes 8 de noviembre del 2013, el presidente venezolano Nicolás Maduro anunció medidas económicas que “favorecerían” a los venezolanos, entre ellas, el control de precios de la cadena de tiendas de electrodomésticos “Daka”. Personas de diversas ciudades decidieron salir a estas tiendas a conseguir ofertas de los productos en venta esa misma noche. A la mañana siguiente, centenas de personas aguardaban por las ofertas en las entradas de los locales comerciales.